CYD CHARISSE (DECEASED) AUTOGRAPHED SIGNED 8X10 JSA AUTHENTICATED COA #41568

ORIGINAL Autograph 8 x 10 EXCELLENT SIGNATURE QUALITY AUTHENTICATED BY JSA (JAMES SPENCE AUTHENTICATION) Cyd Charisse (March 8, 1921-June 17, 2008)[1] was an American actress and dancer. After recovering from polio as a child, and studying ballet, Charisse entered films in the 1940s. Her roles usually focused on her abilities as a dancer, and she was paired with Fred Astaire and Gene Kelly; her films include Singin' in the Rain (1952), The Band Wagon (1953) and Silk Stockings (1957). She stopped dancing in films in the late 1950s, but continued acting in film and television, and in 1992 made her Broadway debut. In her later years, she discussed the history of the Hollywood musical in documentaries, and was featured in That's Entertainment! III in 1994. She was awarded the National Medal of the Arts and Humanities in 2006. The outbreak of World War II led to the breakup of the company, and when Charisse returned to Los Angeles, David Lichine offered her a dancing role in Gregory Ratoff's Something to Shout About. This brought her to the attention of choreographer Robert Alton who had also discovered Gene Kelly and soon she joined the Freed Unit at Metro-Goldwyn-Mayer, where she became the resident MGM ballet dancer. In an early role, she had her first speaking part supporting Judy Garland in the 1946 film The Harvey Girls. Charisse was principally celebrated for her onscreen pairings with Fred Astaire and Gene Kelly. She first appeared with Astaire in a brief routine in Ziegfeld Follies (produced in 1944 and released in 1946). Her next appearance with him was as the lead female role in The Band Wagon (1953), where she danced with Astaire in the acclaimed "Dancing in the Dark" and "Girl Hunt Ballet" routines. It was one of her most memorable dance numbers. Critic Pauline Kael said that "when the bespangled Charisse wraps her phenomenal legs around Astaire, she can be forgiven everything, even her three minutes of 'classical' ballet and the fact that she reads her lines as if she learned them phonetically.